GZA: Not the same as JAZZER from The Archers

GZA @ O2 Academy, Oxford, 28/01/2012

GZA is a legend. One of the key solo breakaways from Wu-Tang Clan, he has a decent back catalogue, with one classic solo album, the legendary Liquid Swords being one of the greats of the form. Wu-Tang, themselves, are one of the best hip-hop crews that ever existed. Their atmospheric, weird and brilliant albums travel further out there than many of their contemporaries. Their music drips with imagination and a dark humour into a tripped out melange of fat beats and samples from obscure underground kung fu films, and the cast of characters that make up the crew and their endless supply of alter-egos has become part of hip hop lore.

Unsurprisingly, their thick, spiritual beat gravy always works better on record. Their immense soundscapes take you on a trip, and you can get lost in their music. Headphones on, eyes shut, and you are in their strange world. A Wu-Tang album – or one of the better solo spin-offs – is like a film on its own; a long and strange trip that somehow never quite works as well live.

GZA is a brilliant and gifted rapper, but the sheer size and scale of the music that he is presenting makes performing it live a tough call. This gig works okay with one man, a few random crew members, a mic and backing tracks delivering a sound that is loud and rowdy. GZA’s constant trips behind his crew members is distracting and tiresome, and he unfortunately does not have the stage presence of Meth or Ghostface Killa. But to be fair to him, not many MCs do.

Consequently…

As hip-hop shows go, this was very atypical. It only rose above the average because of the quality of the tracks from Liquid Swords. It’s not that it was a bad show, it’s just that Wu-Tang is a trip, and a very personal manga movie that shows in your own head. Maybe, perhaps, it’s best approached in a different context live, and enjoyed for what it is. As a massive Wu Tang fan, this scribe is happy to concede that my expectations were too high. GZA delivered an enthusiastic, old school rap set in a packed and hyped O2; the atmosphere was electric, and the performance was good. But very far from great.

  • Mikemca001

    Fair review. I bought 36 Chambers when it was released and the following 8 or 9 solo albums by the Wu. So I would have had sky-high expectations, only I saw them at Glastonbury last year in the rain and while I thought the stage presence was great, the sound doesn’t cut it live. Same for this gig: I was down the front and the atmosphere was great, GZA has a great flow but the sound could have been much better. I thought that the sound for the support was better, so I put it down to the backing tracks themselves and not the sound system. 

  • MAJORTRIADZ

    We are Major Triadz, originating from the hills of Mid-Wales, a duo who like to make our own brand of experimental Hiphop, complete with pounding beats and some serious turntable wizardry!! We have been together for about 2 years or so although we have both been involved in music-making for considerably longer .  We believe we bring some genuine originality to what we perceive as an often-mundane UK Hiphop scene. Please take some time to listen to some of our tracks @ http://www.soundcloud.com/majortriadz Just to give you an idea we have played shows in Bristol, Birmingham, Shrewsbury, Beach Break Live, Sub 29 (Cardiff), Newfoundland Secret Summer Gathering, Square Fest and Crash Fest, to name a few. We hope our music speaks for itself and look forward to hearing from you soon! Here is a small selection from some of the hundreds of positive comments we have received globally for our music :“amazing”“you guys deserve radio rotation”“man, I thought Hiphop was dead, I was wrong, your stuff is superb”“someone seriously needs to sign you guys”“beautiful! Dope message too lads, nice work”“amazing scratching”“love the real UK hiphop….lyrical genius not corrupt influences…respect guys”Thanks for reading!Cheers,Major Triadz (Hobaps and Mix Masta Millz)

  • Anonymous

    If you’re after a gig in Oxford, you might wish to try approaching individual promoters.

  • Rmp0030

    Hey pretty fair review. Great being at the front with him rapping literally right infront of you. I was just wondering who the final warm act were? Something like ‘me myself and akai’? Can’t find anything on them